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James Cotton

Biography
Cotton became interested in music when he first heard Sonny Boy Williamson II on the radio. He left home to find Williamson in West Helena, Arkansas. For many years Cotton claimed that he told Williamson that he was an orphan, and that Williamson Boy took him in and raised him; a story he admitted in recent years is not true. Williamson did however mentor Cotton during his early years. When Williamson left the south to live with his estranged wife in Milwaukee, Wisconsin, he left his band in Cotton’s hands. Cotton was quoted as saying, “He just gave it to me. But I couldn’t hold it together ’cause I was too young and crazy in those days an’ everybody in the band was grown men, so much older than me.”

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Jack Earls

Biography
In a very real sense, Jack Earls typifies everything that is best about the rockabilly music that Sam Phillips recorded. The musicianship on his sole Sun single is limited even by Sun’s modest standards and Earls voice made up in intensity what it lacked in range. However, like all of the best Sun recordings, the whole was worth much more than the sum of the parts. Earls’ raw enthusiasm is contagious. Jack Earls was born in Woodbury, Tennessee on August 23, 1932. His family moved to Nashville and then Manchester, Tennessee. Earls grew up listening to country music and appears to have formed a band soon after he moved in Memphis in 1949 to join his brother Herb. He married in 1950 and always put his family before his career. Indeed, it was probably Earls’ lack of real commitment to touring and promoting his record that dissuaded Phillips from going ahead with a second release. Earls first auditioned for Phillips in 1955 with a group that included four or five guitarists. Phillips was struck with the painful intensity of Earls’ vocals but told him to find another group. Together with Bill Black’s brother, Johnny Black, Earls put together a group that comprised Danny Walquist on drums and Warren Gregory on drums. Black had switched from guitar to bass. It was this aggregation that went back to 706 Union in late 1955 with one of Earls’ instantly memorable songs, “Hey! Jim”. Phillips fell in love with the song and slated it for the top side of Earls’ first single, He had already accepted “A Fool For Lovin’ You” for the countrified flip side.

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The Prisonaires

Biography
As their name suggests, this doo-wop group was formed while each member was in the State Penitentiary, Tennessee, USA. The founding member was lead singer Johnny Bragg (John Henry Bragg, 6 May 1925, Nashville, Tennessee, USA, d. 1 September 2004, Madison, Tennessee, USA), who took on Ed Thurman (b. USA, d. 1973; second tenor), John Drue (b. USA, d. December 1977, Lebanon, Tennessee, USA; first tenor), William Stewart (b. USA, d. 1959; baritone and guitar) and Marcel Sanders (b. USA, d. 1969; bass). The group was paraded around a variety of receptions and civic functions as demonstration of the jail’s enlightened rehabilitation programme, where they played a mix of blues, gospel and pop songs under armed guard. New warden James E. Edwards then arranged for two talent scouts from Sam Phillips’ Sun Records to see the group. They were subsequently driven down to Memphis in June 1953 to record a song written by Bragg and fellow inmate Robert Riley, “Just Walkin’ In The Rain”. The record took hold first on radio and then became a major seller, moving over 250,000 copies, despite a competing version from Johnny Ray that sold eight times that amount. Still, the Prisonaires had arrived, and found themselves in demand for a series of television and concert appearances. They gradually became high-status figures in Tennessee, and never betrayed the trust placed in them by trying to escape their guards on their numerous forays outside the prison. A second single followed in August 1953, the highly spiritual “My God Is Real”, followed by “I Know” and its autobiographical b-side, “A Prisoner’s Prayer”. While recording it they made the acquaintance of Elvis Presley, who later visited them in prison.

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Junior Parker

Biography
Junior Parker was born in either Clarksdale, Mississippi or West Memphis, Arkansas as Herman Parker, Jr. He sang in gospel groups as a child, and played on the various blues circuits beginning in his teenage years. His biggest influence as a harmonica player was Sonny Boy Williamson, with whom he worked before moving on to work for Howlin’ Wolf in 1949. Around 1950 he was a member of Memphis’s ad hoc group, the Beale Streeters, with Bobby ‘Blue’ Bland and B.B. King.

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Rufus Thomas Jr

Biography
Few of rock & roll’s founding figures are as likable as Rufus Thomas. From the 1940s onward, he has personified Memphis music; his small but witty cameo role in Jim Jarmusch’s Mystery Train, a film which satirizes and enshrines the city’s role in popular culture, was entirely appropriate. As a recording artist, he wasn’t a major innovator, but he could always be depended upon for some good, silly, and/or outrageous fun with his soul dance tunes. He was one of the few rock or soul stars to reach his commercial and artistic peak in middle age, and was a crucial mentor to many important Memphis blues, rock, and soul musicians.

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Willie Nix

Biography
Willie Nix was an innovative drummer and gifted lyricist as well as vocalist, and was an integral part of Memphis’s Beale Street blues community during the late forties and early fifties. Nix originally began performing as a tap-dancer when he was very young — his creative sense of rhythm as a drummer likely had its roots in his instincts as a dancer. Nix recorded and played in both Memphis and Chicago, and worked with legendary bluesmen in both cities, among them Junior Parker, B.B. King, Elmore James, Sonny Boy Williamson II, and Bobby Blue Bland. Nix eventually moved back to Memphis and continued to be a local fixture in the blues community. He performed on and off until his death in 1991.

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Chris Isaak Releases Sun Tribute Album

That ‘Sun Sound’ you know and love isn’t just a thing of the past. Rockabilly up-and-comer, Chris Isaak, has released an album filled with legendary songs of Sun Records artists, as well as a few of his own. “The ’50s was a pretty wonderful time for people, it was hopeful,” says Isaak. “But I didn’t record this new album out of nostalgia.” Rather, in recording this classic retro sound, Isaak is paying tribute to his modest childhood in Stockton, California. Thanks to his parent’s record collection, his childhood is where he was introduced to all of the Sun Records greats.

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